In the tradition of CELESTIAL GALLERY, these striking mandala-style paintings of Buddhist goddesses are presented, together for the first time, in a distinctive format, hand-bound and two feet tall. Romio Shrestha and his team of artisan monks render postmodern interpretations of an age-old Tibetan artistic tradition. Made from malachite, lapis, and marigolds, and painted at ti...(展开全部)

In the tradition of CELESTIAL GALLERY, these striking mandala-style paintings of Buddhist goddesses are presented, together for the first time, in a distinctive format, hand-bound and two feet tall. Romio Shrestha and his team of artisan monks render postmodern interpretations of an age-old Tibetan artistic tradition. Made from malachite, lapis, and marigolds, and painted at ti...(展开全部)

笛卡尔（1569-1650），生于法国西部，8岁时被送到欧洲当时最有名的学校之一的拉夫赖公学学习。1616年获得法学硕士学位。1639年，他用拉丁文写了他最著名的著作《第一哲学沉思录》。1644年出版了《哲学原理》，1649年出版了《论灵魂的激情》。

笛卡尔（1569-1650），生于法国西部，8岁时被送到欧洲当时最有名的学校之一的拉夫赖公学学习。1616年获得法学硕士学位。1639年，他用拉丁文写了他最著名的著作《第一哲学沉思录》。1644年出版了《哲学原理》，1649年出版了《论灵魂的激情》。

Modern philosophy of science has paid great attention to the understanding of scientific "practice, " in contrast to the earlier concentration on scientific "method." Paul Feyerabend's acclaimed work, which has contributed greatly to this new emphasis, shows the deficiencies of some widespread ideas about the nature of knowledge. He argues that the only feasible explanations of...(展开全部)

Modern philosophy of science has paid great attention to the understanding of scientific "practice, " in contrast to the earlier concentration on scientific "method." Paul Feyerabend's acclaimed work, which has contributed greatly to this new emphasis, shows the deficiencies of some widespread ideas about the nature of knowledge. He argues that the only feasible explanations of...(展开全部)